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  • Lucia Santaella and E MOTTA and DIANA MARIA G DOMINGUES and C. TURELLY. Arte do Corpo Biocibrido em sistemas enativos-afetivos In Dança sob o signo do Multiplo, edited by Lucia SANTAELLA and Everson MOTTA Vol.1. , 41-65. São Paulo: Estação das
  • Event: CINEMATIC FLOOR - BIOCYBRID SPACE FOR IMMERSIVE SYNAESTHESIAInstitution: SPIEComment:
  • 14#BIS -
    Expanded interactions and mixed landscape generate the 14#bis biocybrid system, to celebrate the 50th birthay of Brasilia. In a public event, by exploring mobile and locative interface in mixed reality, we put in the sky of the Brazilian capital,
  • In this impressive poster developed by Dick Klavans and Bradford Paley, with the help of Kevin Boyack and ISI data, one can see the variations in how different nations pursue science. The concept is not only ingenious but also takes full advantage
  • Lucia Santaella and E MOTTA and C TURELLY and DIANA MARIA G DOMINGUES. Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book In Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book, edited by Lucia SANTAELLA and Everson MOTTA ,
  • DOMINGUES, DIANA MARIA G. Sistemas enativos biocíbridos: sinestesia e afetividade na reengenharia da vida In Tecnologia e Saúde, edited by Ana Paula MACHADO VELHO and Cássia Kely FAVORETTO COSTA and Miriam Ieda YAMAGUCHIVol.1. , 39-77. Maringá:
  • The AR project “Biocybrid Fables: Borges' Fantastic Creatures” is a tribute to the renowned Argentine writer Jorge Luis Borges, commemorating the 200th anniversary of the independence of Latin American countries. It was made to celebrate in Buenos
  • Event: Biocybrid Fables: Borges' Fantastic CreaturesInstitution: Centro Cultural General San MartínComment:
  • Event: Daily rituals: the biocybrid body and the naturalization of technologiesInstitution: University of arts LinzComment:
  • DOMINGUES, DIANA MARIA G and A. F. DA ROCHA and Cristiano MIOSSO. Art and Life: Biocybrid systems and the reengineering of reality Art At The Crossroads 17th International Symposium on Electronic Art 17 (2011): 1.