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  • Vanitas in a Petri dish -
    Vanitas ( in a Petri dish), a series of digital photographs bringing the concept of vanitas into the 21st century. In prior centuries, vanitas paintings warned against the excesses of material culture. Expressing the futility of life and its
  • Latent Figure Protocol -
    Latent Figure Protocol takes the form of a media installation that uses DNA samples to create emergent representational images. The installation includes a live science experiment, the result of which is videotaped and repeated for the duration of
  • Contestational Biology
    Contestational BiologyArtist: Critical Art EnsembleComment:
  • Laboratory Life
    Laboratory Life (For Oryx and Crake) is a series of over-layered photographs taken at scientific laboratories in Europe ( the European Molecular Biology Laboratory (EMBL) in Rome, the Max Planck Institute in Dresden, and a biophysics lab at Imperial
  • Eduardo Kac
    Eduardo Kac is internationally recognized for his telepresence and bio art. A pioneer of telecommunications art in the pre-Web '80s, Eduardo Kac (pronounced "Katz") emerged in the early '90s with his radical works combining telerobotics and living
  • Thomas Ray
    Thomas Ray is scientist and researcher working in the fields of Artificial Life, Evolution and the Human Mind. He serve as a collaborator in the media art group Knowbotics Research. He write a generative computer program called Tierra that emulate
  • An Evolutionary Approach to Synthetic Biology: Zen and the Art of Creating Life
    Ray, Tom. An Evolutionary Approach to Synthetic Biology: Zen and the Art of Creating Life Artificial Life (1997): 179-209.
  • Artificial Life - a Report from the Frontier Where Computers meet Biology
    Levy, Steven. Artificial Life - a Report from the Frontier Where Computers meet Biology. London: Vintage, 1993.
  • Genetic Art and the Aesthetics of Biology
    Tomasula, Steve. Genetic Art and the Aesthetics of Biology Leonardo 35, no. 2 (April 2002): 137-144.
  • Olga Kisseleva
    "The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
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