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  • (collective) Banz&Bowinkel
    The computer allows us to simulate reality. Although the simulation itself is not real it inherits a certain power to become real. Today, it is increasingly normal to transfer simulated reality into physical reality. With the help of computers the
  • Jaron Lanier
    Jaron Zepel Lanier is an American computer scientist, best known for popularizing the term virtual reality (VR). A pioneer in the field of VR, Lanier and Thomas G. Zimmerman left Atari in 1985 to found VPL Research, Inc., the first company to sell
  • Art and Politics: A Small History of Art for Social Change Since 1945
    Mesch, Claudia. Art and Politics: A Small History of Art for Social Change Since 1945. London: Tauris, 2013.
  • Far Field: Digital Culture, Climate Change, and the Poles
    Polli, Andrea and Jane Marsching. Far Field: Digital Culture, Climate Change, and the Poles. Bristol: Intellect Ltd., 2011.
  • Feminist Climate Change -
    Event: Feminist Climate ChangeInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Cultures of Change - Changing Cultures -
    Event: Cultures of Change - Changing CulturesInstitution: Arts Santa MònicaComment:
  • Matthew Ostrowski
    A New York City native, Matthew Ostrowski is a composer, performer, and installation artist. Using digital tools and formalist techniques to engage with quotidian materials -- sonic, physical, and cultural -- Ostrowski explores the liminal space
  • ÄSTHETIK DER VERÄNDERUNG. 150 Jahre Universität für angewandte Kunst Wien -
    [English title, "Aesthetics of Change- 150 Years of the University of Applied Arts Vienna"]
  • Eternal Return N°1 - video
    How can Nietzsche’s fear of the Eternal Return made comprehensible, even if it may fallen victim to wrong interpretation? Elke Reinhuber's approach to explicate this problem is a vinyl record of an endlessly reiterating sound, which emphasises the
  • On the Road
    “On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
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