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  • Stock, Mark. Flow simulation with vortex elements In Biologically-Inspired Computing for the Arts, edited by Anna Ursyn, 18-30. Hershey, PA: IGI Global, 2012.
  • Joseph Nechvatal's contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses,
  • Damm, Ursula. The outline of paradise - ein Kunstprojekt im Dialog mit synthetischer Biologie [].
  • Event: SO3, Art, Biologie et (Al)ChimieInstitution: Espace Multimedia GantnerComment:
  • Malina, Roger. Moist Realities: The Arts and the New Biologies Leonardo 29, no. 5 (1996): 351-353.
  • DOMINGUES, DIANA MARIA G. Art Interactif, corps couplé et sentiment post-biologique In Dialogues Sur L'Art et La Technologie, edited by Edmond Couchot, 123-138. Paris: L'Harmattan, 2001.
  • constructued for the Rachel Carson bridge. Carson was an American marine biologist, author, and conservationist whose book Silent Spring and other writings are credited with advancing the global environmental movement. Over 27,000 multicolored LED
  • Tessarae of Venus -
    Tesserae of Venus imagines a strange future through dynamic photomontages of energy-producing landscapes and related drawings. McPhee borrows from the tectonics of Venus-tesserae, or ‘complex ridged folds,’ in order to structure her images of
  • NORTH. TRANSFORMATIVE ECOLOGIES exhibition is an investigation into the changing patterns of contemporary ecologies, art and science. The exhibition showcases art science installations by artists who interpret environmental, biological and
  • Richard, Birgit. Biologie und Fake Life Construction - Kommunikationssplitter aus dem Netzsymposium zu LifeScience In Ars Electronica 1999: LifeScience, edited by Gerfried Stocker and Christine Schöpf, 30-46. Wien, New York: Springer Verlag,