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  • Preghiera -
    One computer mouse is attached to another face to face and both hang from the ceiling, suspended on their own cables. This describes the “raw” material of this installation, where light is simply the red glow emitted by the optical sensor on each
  • Exercise in Immersion 4 is an ‘art-game’ devised by the Rotterdam media-artist, Marnix de Nijs and further developed in collaboration with V2_lab. His presentation at Deaf 07 saw the 'first public participation trials". Further software refinement
  • Artist Statement: "Increased use of sensor technologies, big data, algorithms, surveillance, monitoring and tracking question what it means to be human in terms of privacy, individuality, authority, and the State. Using robotized voices, enhanced
  • A telematic performance where the movements of a sensor glove control video, which is reacting to sound from a remote location. The sound is reacting back to the video.
  • Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • Goldberg, Ken and Matthew T. Mason and Russell H. Taylor. Sensor-Based Manipulation Planning as a Game with Nature In Robotics Research, edited by R. Bolles and B. RothCambridge, MAS: MIT Press, 1987.
  • Monologue 2021 -
    Monologue is about psychological experience of women. Inspired by women’s diaries and “Nu Shu” which is an old writing system in China used only among women, “Monologue” tries to convey women’s internal and external contradictories which comes from
  • Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • Lipton, Leonard. Now Step into a Movie: Sensorama Popular Photography 61-62 (July 1964): 114, 116.
  • Michelin, Simone. O Centro do Crisol In Redes Sensoriais: Arte, Ciencia e Tecnologia, edited by Katia Maciel and André Parente, 107-120. Rio de Janeiro, Brazil: Editora Contracapa, 2003.