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Creation as Research / Research as Creation, Monday Night Seminar
2011
Event: Creation as Research / Research as Creation, Monday Night SeminarInstitution: McLuhan Program, University of TorontoComment:
Sommerer, Christa, “Re-Evaluating Art: Interactive
and
Participatory Aspects in the Works of Sommerer & Mignonneau“, Seminar at RunRunShaw Creative Media Center Summer Festival, Hong Kong (China), 14.06.2013
2013
-
2013
... Art: Interactive
and
Participatory Aspects in...
El último mono desafía a Darwin
1999
Casares, Nilo. El último mono desafía a Darwin In Hecho Artístico y Medios de Comunicación (III Seminario de la AVCA), edited by Asociación Valenciana de Críticos de Arte (AVCA)Vol.1. , 4. Valencia, Spain: Colección Formas Plásticas de la
Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Things age
2013
... edited by Fern
and
o PessoaVol.7. Seminários...
ISEA2000, 10th International Symposium on electronic Art: "Revelation"
2000
-
2000
... revolution on art
and
its impact on society...
What Remains of Art when Technology Vanishes? 25 years of practice in spite of technology
2015
Event: What Remains of Art when Technology Vanishes? 25 years of practice in spite of technologyInstitution: ArtCamp ArtComTec videoconferencing seminarsComment:
What Remains of Art When Technology Vanishes? 25 years of practice in spite of technology
2015
Event: What Remains of Art When Technology Vanishes? 25 years of practice in spite of technologyInstitution: ArtComTec - Art/Communication/Technologies seminarsComment:
BRAIN CLOUD (BY BRAIN FACTORY)
2018
video
... a world premiere,
and
a prototype for brain...
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition
2010
Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Conscious/Unconscious
2012
... personales. Tom
and
o como centro el objeto, la...
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