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  • Perhaps -
    ...This is the first poem written specifically for Internet 2. The poem is a world with 24 avatars, each a different word. Each reader, in order to... read online throughout 1999 using a special server in the Art and Technology Department of The School of the Art Institute of...
  • Katherine Nolan
    ...Katherine Nolan is a contemporary artist who works primarily with video, image and performance. She is also a lecturer, and curates with MART,...
  • Marcos Novak
    ... and many others. He is allied with CAiiA and the Planetary Collegium. (source: http://people.i-dat.org/detail/?csmn) Marcos Novak, born 1957, professor at UCSB, transarchitect, artist, and theorist. He exhibits, lectures, and conducts workshops worldwide. He...
  • Bob O Kane
    ...Bob O ' Kane is a professional ""linker"" between art and technology. He used interfaces in order to collaborate with other fellow artist such...
  • Chris O'Shea
    ...Chris O’Shea is an artist and experience designer. He creates installations that playfully challenge our perception of spaces and objects. He...
  • Outrossim [Otherwise]
    This work is composed of two different anamorphic QR codes in a 40ft (12m) vitrine. Once the lens of the cell phone converts the distorted images into squares, the QR app in the phone automatically reads the two codes and renders the animations
  • Biopoetry (series/concept 1999-present) -
    ... of countless very small living beings in a medium of earth, water, and other materials. Kac orchestrates the metabolism of...
  • Julian Oliver
    ... in Berlin. I've been active in the critical intersection of art and technology since 1998. My projects and the occassional paper...
  • Fernando Orellana
    ...Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and...
  • Erratum 1
    In the Erratum series of biopoems, pairs of words are seen in a field in which layers of colors embed and dissolve the verbal forms. The pairs always produce semantic tension. Alive as the biotopes are, lexical form and color are unstable and always
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