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  • The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
  • Immersive film, specially designed for a fulldome environment. Multiple 3D landscapes modulated by female voices. The physical absence of the performers is materialized here by the pairing of the spatialization of their litanies to the movement of
  • Responsive audiovisual installation where visitors playfully stack, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural
  • Fulldome participatory installation as a metaphor for a prediction machine. Virtual space of knowledge where visitors trigger, via a voice recognition system, one of the twelve clouds of information on the future of work, education, democracy...
  • Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
  • Kac, Eduardo. Aromapoetry Video https://www.ekac.org/aromapoetry.mov.
  • MiRAA Mixed Reality Academy for the Arts. MiRAA IN CONVERSATION with VR artists Tamiko Thiel and Eduardo Kac https://www.youtube.com/watch?v=y9DPDHaeCqc.
  • FIVARS. FIVARS 2022 Spotlight – Klaxon. My Dear Sweet Friend https://fivars.net/spotlight/fivars-2022-spotlight-klaxon-my-dear-sweet-friend/.
  • FIVARS. FIVARS 2022 Spotlight – Klaxon. My Dear Sweet Friend https://fivars.net/spotlight/fivars-2022-spotlight-klaxon-my-dear-sweet-friend/.
  • RADIANCE. The International Research Platform For Virtual Reality Experiences in Art. https://www.radiancevr.co/artists/eduardo-kac/.