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  • Molecular Invasion -
    Molecular Invasion was a participatory science-theater work done in cooperation with students from the Corcoran School of Art and Design and exhibited at the Corcoran Gallery, Washington, DC. In this work, CAE/da Costa/Pentecost and selected
  • Energy conversion -
    In the plant cell, huge numbers of chlorophyll molecules are linked one to another. When they receive light, they synchronize their activity perfectly. Each of the molecules receives and transmits photons all the way to the reaction center of the
  • Plant Sensors -
    Plants are very common in our world and and contain a vast amount of information. Although there are open debates about the intelligence of plants, it is undeniable that plants have a great ablity to sense and respond to their environment. The
  • Biopsia - video
    This piece is a kinetic sculpture consisting in a disc where a drop of colored water falls from the ceiling at regular intervals. An animation of a clockwork mechanism, revolving around the color stains, is projected onto the disc. It was part of
  • Working extensively with social-political context from the 1980s, in 1991 (art)n created »The Equation of Terror« which referred to the Gulf War. The work entailed animated mathematical equations and PHSColograms which depicted economic, biological
  • Vulnerability -
    CYFEST-15 in Yerevan is dedicated to (anti)fragility of human and non-human body, biological, social and cyberspaces, stories and scenarios of the future as well as confrontations and relationships with the world in a state of transition.
  • Palette
    Palette is a series of projected images of a coral as it moves through time on its own accord. It was produced through time-lapse photography at the Marine Biological Laboratory at Woods Hole, Massachusetts. Each time-lapse video is projected onto
  • Ascott, Roy, ed. Consciousness Reframed: Art and Consciousness in the Post-biological era. Newport: University of Wales, 1997.
  • Fox Keller, Evelyn. Making Sense of Life: Explaining Biological Development with Models, Metaphors, and Machines. Cambridge, London: Harvard University Press, 2002.