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  • Visions of Hildegard, C
    en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • CODE_n exhibitionCurated by Peter Weibel with Giulia Bini Sabiha Keyif, Daria Mille, and Philipp Ziegler -
    Event: CODE_n exhibitionCurated by Peter Weibel with Giulia Bini Sabiha Keyif, Daria Mille, and Philipp ZieglerInstitution: ZKM - Center for Art and MediaComment:
  • Digital Nights Singapore 2010 -
    Digital Nights Singapore 2010 17 - 26 September An interactive new media and digital arts fest during the SGP Season featuring LAb[au]'s installations: frameworks f5x5x2 binary waves, cybernetic urban installation at: SAM _ Singapore Art
  • Hill Climbing
    Sound plays an important role in the work of Janet Cardiff and George Bures Miller (Canadian, b. 1957; 1960) whose video Hill Climbing (1999) tracks an unseen couple and their dog as they struggle to climb up a snowy hill. The layered, binaural
  • PostPet -
    A artificial pet mail-soft. Planning and directing.(Graphic Design by MANABE Namie, Program by KOUKI Takashi) A pet you keep in your computer delivers your e-mail just like a carrier pigeon. If your e-mail friend has PostPet soft, your pet
  • Networked interventions: debugging the electronic frontier
    Erickson, Christa. Networked interventions: debugging the electronic frontier In Embodied utopias: gender, social change and the modern metropolis, edited by Amy Bingaman and Lise Sanders and Rebecca Zorach, 225-241. London: Routledge, 2002.
  • Autonomous Creations: Birthing Intelligent Agents
    Binkley, Timothy. Autonomous Creations: Birthing Intelligent Agents Leonardo 31, no. 5 (1998): 333-336.
  • The Evolution of Binocular Vision
    Pettigrew, John D.. The Evolution of Binocular Vision In Evolution of the Eye and Visual System, edited by John R. Cronly-Dillon and Richard L. Gregory, 271-283. New York: MacMillan Technical Publishing, 1986.
  • At Play video
    Responsive audiovisual installation where visitors playfully stack, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural
  • At Play video
    Responsive audiovisual installation where visitors playfully stack, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural
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