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  • Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie
    Minsky, Marvin. Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie In Ars Electronica 1990: Digitale Träume, Virtuelle Welten, edited by Gottfried Hattinger and Peter WeibelVol.2. Linz: Veritas-Verlag, 1990.
  • Davide Bevilacqua
    Davide Bevilacqua is a media artist and curator interested in network infrastructures and technological activism, as well as experimental presentation formats for artistic work and research. His current research deals with the environmental and
  • Mandl/ Krautgasser
    Annja Krautgasser is a media artist and architect who has been teaching on architecture, media, and the public at the Academy of Arts in Linz, and is an assistant at the Technical University in Graz, Austria. Rainer Mandl, born 1968, is a web and
  • Schießl
    Simon Schiessl is an engineer and artist. Trained in physics and engineering in Munich and Berlin, he designs and fabricates interactive media systems. Currently, he is a candidate for an MS degree at the MIT Media Lab. Schiessl is an artist whose
  • Die Zweiheit der Natur
    Weibel, Peter and Valie Export. Die Zweiheit der Natur In Ars Electronica 1986, edited by Karl Gerbel and Peter Weibel, 46-48. Linz: 1986.
  • Paul Sermon in Interview at the Ars Electronica Center Linz
    Sermon, Paul. Paul Sermon in Interview at the Ars Electronica Center Linz .
  • Öffentliche Bilder und Bilder der Macht
    Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
  • Luz Maria Sanchez
    Luz María Sánchez Cardona is a transdisciplinary artist, writer, and scholar. She holds a doctorate in Art from the Autonomous University of Barcelona. Sánchez Cardona is the recipient of two consecutive Honorary Mentions at Prix Ars Electronica:
  • Tamas Waliczky
    Tamas Waliczky was born in 1959 in Budapest. New media artist. Lives in Budapest, Hong Kong and Vienna. He started making animations at the age of nine. He then worked as a painter, illustrator and photographer. He started working with computers in
  • Zur Geschichte und Ästhetik der digitalen Kunst
    Weibel, Peter. Zur Geschichte und Ästhetik der digitalen Kunst In Supplementband der Ars Electronica 1984, edited by Karl Gerbel, 1-40. Linz: 1984.
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