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  • ALCALÁ MELLADO; Jose Ramón. La piel de la imagen: Ensayos sobre gráfica en la cultura digital. Valencia: Sendemá, 2011.
  • Uirapuru -
    Uirapuru (1996/99), by Eduardo Kac, was shown from October 15 to November 28, 1999, at the InterCommunication Center (ICC), Tokyo. A flying fish hovers above a forest in the gallery, responding to local as well as Web-based commands. Audio and video
  • Bio-Robotic Symbiosis -
    An integrated environment for animal-machine co-existence Bio-robotic symbiosis features a hexapod robot, two laboratory mice and the audience. The robot and the mice co-exist in a transparent plexiglass stand that is accessible to the audience. A
  • Elastic Fax III was realized by participants sending sequential faxes directly from their cell phones to a fax machine in the gallery in São Paulo.
  • Logo.Hallucination -
    Artworks Logo.Hallucination November, 2006 Is the economic dynamics of the collective hallucination leading us towards a privatization of the glance? Logo.Hallucination continuously monitors the images circulating on the Internet looking
  • Daniels, Dieter. Kunst als Sendung: Von der Telegrafie zum Internet. München: C.H. Beck, 2002.
  • Marguerin Mathieu. « Une voyante m’a dit », Keur Thiosane – Artfactories,. Dakar, Senegal: 10th Biennial of Contemporary Art, 2012.
  • Engeli, Maia and Phoebe Sengers. Cast01: a review of recurring issues [ ].
  • Mateas, Michael and Phoebe Sengers. Narrative Intelligence In AAAI Fall Symposium on Narrative Intelligence, North Falmouth: 1999.
  • Zero City -
    “Zero City” is a number of elevator shafts of different length. Their spatial structure resembles a city where the role of each building is to move in a vertical direction. All the elevators are programmed the same way and act as a pack carrying out