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Double Life
2006
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2011
"My double life" is a video installation made up of several diptychs. All individuals divide their lives into a professional activity performed in order to survive, and their true skills that are unrelated to work. The diptychs show the
Collaborative Control of Robot Motion: Robustness to Error
2001
Goldberg, Ken and Billy Chen. Collaborative Control of Robot Motion: Robustness to Error In IEEE/RSJ International Conference on Robots and Systems, : 2001.
Rewind to the future
1999
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2000
Rewind to the future mit Eija-Liisa Ahtila, Dara Birnbaum, Klaus vom Bruch, Peter Campus, Luc Courchesne, Jordan Crandall, Stan Douglas, Douglas Gordon, Dan Graham, Ingo Günther, Gary Hill, Nan Hoover, Felix Stephan Huber / Philip Pocock, Jodi ,
Science as Suspense
2009
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2009
2009 Winzavod Contemporary Art Center Moscow Science as Suspense (15.-29.3.09) Curator: Dmitry Bulatov Participating Artists: Christa Sommerer & Laurent Mignonneau, Stelarc, Ken Rinaldo, Bill Vorn, Paul Granjon, Nicolas Reeves, Orlan, Symbiotica, et
In Particular
2009
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2009
Nanoparticles are already in daily use, for example, enhancing the functionality of sun creams and sticking plasters. Meanwhile, work is underway to develop revolutionary, futuristic advances – such as tiny machines that can zip around our
MARI AMMAN
Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
The Connection Machines CM-1 and CM-2
1986
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1987
The Connection Machine was the first commercial computer designed expressly to work on simulating intelligence and life. A massively parallel supercomputer with 65,536 processors, it was the brainchild of Danny Hillis, conceived while he was a
Binaera
1993
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1993
Event: BinaeraInstitution: Musee Communal d`IxellesComment:
in/compatible Intervention @ Transmediale 2012
2012
New Transmediale director Kristoffer Gansing censors "offensive AR art." The 2012 Transmediale stood under the theme "in/compatible," celebrating 25 years of art interventions and proclaiming in the curatorial statement that: "Contrary to the fear
Flatsun
2011
video
"Flatsun," 2011 Custom-made LED screen, computerized surveillance tracking system, fluid dynamic algorithms (Navier Stokes, fractal flames, reaction diffusion and Perlin noise), aluminium, stainless steel, glass 55.12" / 140 cm diameter 6.3" / 6
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