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  • SpringyDots video
    enter project here:artport.whitney.orgScroll down to the bottom of the code to launch its results.Please adjust your Java Security Settings in order to launch the programmeCommissioned by the Whitney Museum.
  • Homefront -
    ... the way that identity coalesces....
  • Recentevents video
    click here to read the code >click here to launch the project >Please adjust your Java Security Settings for digitalartarchive.at in order to launch the Programme.
  • Dreams Rewired
    DREAMS REWIRED traces the desires and anxieties of today’s hyper-connected world back more than a hundred years, when telephone, film and television were new. As revolutionary then as contemporary social media is today, early electric media sparked
  • CODeDOC Remediated
    How to view and operate the analytical grid and its several elementsENTER PROJECT HERE:The links will redirect you to the original artworks on the Whitney Museum's Artport (for CODeDOC) or the digitalartarchive.at (for CODeDOC II). Please check
  • Graham Harwood
    Harwood started out as an artist during the 1980s. He was involved with publishing initiatives such as the Working Press (books by and about working class culture); Underground newspaper (a London-based free newspaper aimed at promoting and
  • Avatar -
    ... put on fleeting identities, in “low...
  • Flickering Signifiers
    Flickering Signifiers is an ambient light installation concerned with the rhythmic nature of television light and how it is used to seduce and compel the viewer into a kind of hypnotic and passive inaction-while watching. Detection of movement has
  • Ubermorgen
    Ubermorgen is a group of artists in Vienna, Austria, founded in 1999 by Hans Bernhard (founder of etoy) and Lizvlx. Ubermorgen focuses on exploring contemporary legal issues, especially those of security, privacy and copyright. Übermorgen is the
  • Das Sedanpanorama: Einübung soldatischen Gehorsams im Staatsbild durch Präsenz
    Grau, Oliver. Das Sedanpanorama: Einübung soldatischen Gehorsams im Staatsbild durch Präsenz In Medien der Präsenz. Museum, Bildung und Wissenschaft im 19. Jahrhundert, edited by Jürgen et. al. Fohrmann, 143-169. Köln: DuMont, 2001.
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