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  • Making of Eve Clone I MR -
    Making of Eve Clone Portraits IMR is a continuous series of the Making of Eve Clone I video, extending the digital images of da Vinci’s Vitruvian Man and Eve Clone into a real space. The viewer, is invited to put on an MR(Mixed Reality)helmet, will
  • A Sense of Weightlessness
    Zapp, Andrea. A Sense of Weightlessness In Urban Cycles, edited by Galina Dimitrova and Anneke Pettican and Steve Symons, 42-50. Manchester, UK: i3 Publications, 2003.
  • Making Sense of Life: Explaining Biological Development with Models, Metaphors, and Machines
    Fox Keller, Evelyn. Making Sense of Life: Explaining Biological Development with Models, Metaphors, and Machines. Cambridge, London: Harvard University Press, 2002.
  • Making of Eve Clone MR - video
    Making of Eve Clone Portraits IMR is a continuous series of the Making of Eve Clone I video, extending the digital images of da Vinci’s Vitruvian Man and Eve Clone into a real space. The viewer, is invited to put on an MR(Mixed Reality)helmet, will
  • Roc Parés
    Roc Parés Burguès (Mexico, 1968. Lives and works in Catalonia since 1983). http://roc-pares.net Professional profile • Researcher of the Interactive Communication Group of DigiDoc, UPF. • Professor of Interactive Communication and Media Arts:
  • Off-Sense - Cyberspace we all share -
    Event: Off-Sense - Cyberspace we all shareInstitution: Yamaguchi Center for Arts and Media (YCAM)Comment:
  • Universal Experience - Art, Life and the Tourist’s Eye -
    Showing for the first time in the UK, The Moment is a vast kaleidoscopic audio-visual installation by Doug Aitken, capturing the acute sense of disorientation experienced on waking in an unfamiliar place.
  • From LIGHTING to ENLIGHTENMENT, Light Making Sense
    Event: From LIGHTING to ENLIGHTENMENT, Light Making SenseInstitution: 2015 International Lighting and Creative City ForumComment:
  • Sense-Fiction -
    Event: Sense-FictionInstitution: Le TripostalComment:
  • Euopean Media Art Festival 1992
    In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
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