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Inner Voices 2013

Immersive film, specially designed for a fulldome environment. Multiple 3D landscapes modulated by female voices. The physical absence of the performers is materialized here by the pairing of the spatialization of their litanies to the movement of
Intérieur 2011 video

One of the first dance and media performances designed for a fulldome virtual reality environment. An immersive visual and sound environment, paired with epicurean pleasures and the contemplation of a dance performance. Architectural skies and
ACM SIGGRAPH Electronic Art and Animation CatalogueComputer Graphics Annual Conference Series 1998ISBN 1-58113-045-7ISSN 1098-6154© 1998 ACM Association for Computing Machineryhttps://digitalartarchive.siggraph.org/person/victor-acevedo/ 1998

Joan Truckenbrod, Chair: The Art Gallery: Touchware. ACM SIGGRAPH Electronic Art and Animation Catalogue Computer Graphics Annual Conference Series 1998 ISBN 1-58113-045-7 ISSN 1098-6154 © 1998 ACM Association for Computing Machinery
Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico 2020

Sanchez Cardona, LM. Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico Unlikely Journal for Creative Arts , no. Issue 7 (https://unlikely.net.au/issue-06/intermittent-space 2020): online.
Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016

Everitt, Dave and Fania Raczinski. Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016 IEEE Symposium on Service-Oriented System Engineering (SOSE) , no. https://doi.org/10.1109/sose.2016.30 (March 2016).
Emergence and complexity: Some observations and reflections on transdisciplinary research involving performative contexts and new media 2007

Everitt, Dave and Alec Robertson. Emergence and complexity: Some observations and reflections on transdisciplinary research involving performative contexts and new media International Journal of Performance Arts & Digital Media , no.
On physiological computing with an application in interactive art 2004

Everitt, Dave and Ernest Edmonds and Michael Macaulay and Greg Turner. On physiological computing with an application in interactive art Interacting with Computers Volume 16, Issue 5, no. https://doi.org/10.1016/j.intcom.2004.08.003 (October
Abandoned 2010

Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent,
passage 2007 video

Spectators enter an intimate space to meet face-to-face with a performer offering her body as an interface to the media environment. Performer's outfit and scenic environment are equipped with touch sensors, theremins, and multiple buttons and
the puppet(s) 2005 video

Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment.

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