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Mori: The Telematic Embrace
Inside the entry curtain, visitors follow a fiber-optic cable to the center of the resonating enclosure where a portal through the floor frames the installation's focal point. The live seismic data stream drives an embedded visual display and
Marcello Mercado
Biological theories, mathematical principles, and technology are founding elements in his work. He straddles the boundaries between video art, performance, net.art, music, and painting. An amalgam of nuances from a world ruled by data overload.
From Cybernation to Interaction: A Contribution to an Archeology of Interactivity
1996
Huhtamo, Erkki. From Cybernation to Interaction: A Contribution to an Archeology of Interactivity In Wunschmaschine Welterfindung: Eine Geschichte der Technikvisionen seit dem 18. Jahrhundert, edited by Brigitte Felderer, 192-207. Vienna/New York:
Rendez-Vous d'Imagina
1994
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1994
Event: Rendez-Vous d'ImaginaInstitution: Carré SeitaComment:
Reihe Video Kunst
2004
Hattinger, Gottfried, ed. Reihe Video Kunst. http://www.hattinger.org/seiten/rvk.html, 2004 th ed.Linz, Austria: Landesgalerie Linz, 2004.
Der symbolische Tausch und der Tod
1982
Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.
Das perfekte Verbrechen
1996
Baudrillard, Jean. Das perfekte Verbrechen. München: Matthes and Seitz, 1996.
Artists Seize the Digital Realm in Startling Ways
2004
Watson, Dave. Artists Seize the Digital Realm in Startling Ways Georgia Straight Newspaper 38, no. 1926 (November 18 - 25, 2004 2004): 17.
Intabyu
1997
Ascott, Roy. Intabyu In The Multimedia and Cultural Evolution, edited by M. Sekiguchi, 94-99. Tokyo, Japan: Nippon Telegraph and Telephone Publishing Co. Ltd., 1997.
Exhibition (9th September - 24th September 2017)
2017
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2017
Curator: Atsuhito Sekiguchi
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