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William Latham
...William Latham's Computer
Art
works In 1990 Mark Ayres was commissioned by
art
ist William Latham (then Visiting Fellow at the IBM UK Scientific...
Mirko Lazovic
...Mirko Lazović graduated at the University of
Art
s in Belgrade and Royal Academy in The Hague, got his MA from the Royal Conservatory in the... his MA from the Royal Conservatory in the Hague (2008). His
installation
s place strong thematic emphasis on presence,...
Reflections v2
2019
-
2019
video
... v2 series is strongly tied to the aesthetic of Minimal
Art
. It reduces its abstract vocabulary to visual representations of... a long, almost exclusive
art
istic focus on large-scale light
installation
s with a high level of ephemeral abstraction, the...
Brenda Laurel
... faculty member of the graduate Media Design Program at the
Art
Center College of Design in Pasadena, California, and also...
Featured
Art
ist Claudia Robles Angel (new by p_hoffmann)
01/1970
How to perceive the imperceptible
Kinetic Flow
2005
-
2005
George Legrady's work consists of a series of vibrantly colored, 14' x 22' 6" porcelain enameled steel panels on the angled concrete wall above the staircase and escalator unit at the entrance to LA City College station. Algorithmically generated
Decisions with 3 Tesla (Entscheiden mit 3 Tesla)
2013
-
2013
video
... thoughts. With a field intensity of three Tesla, state-of-the-
art
brain scanners offer a superior resolution. Can processes in the...
Valise in an iPod
2006
Valise in an iPod follows after Duchamp's Readymade mini-museum, "Box in Valise" ( 1935-41 ). Valise in an iPod plays with the tension between the mass object and the reproducibility of the digital object, the promotional nature of consumer branding
Robert Lazzarini
...Robert Lazzarini is an American
art
ist who lives and works in New York. Primarily a sculptor, Robert is best known for making common objects...
Joan Leandre
... 2002 and 2003), "Becomings" at the Museum of Contemporary
Art
, La Jolla and "DigitalMedia" at the American Museum of the Moving...
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