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Outrossim [Otherwise]
2014
This work is composed of two different anamorphic QR codes in a 40ft (12m) vitrine. Once the lens of the cell phone converts the distorted images into squares, the QR app in the phone automatically reads the two codes and renders the animations
Lagoogleglyph I
2009
Lagoogleglyph (2009) is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. In its first manifestation Lagoogleglyph consists of a pixelated lagoglyph, referencing a rabbit head,
Lagoogleglyph II
2015
Lagoogleglyph 2 is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. It consists of a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a
Lagoogleglyph III
2018
Lagoogleglyph 3 consists of a pixelated lagoglyph, referencing a rabbit head, made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by Google
Lagoogleglyph IV
2018
Lagoogleglyph 4 is a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by
Holopoetry
1996
Kac, Eduardo. Holopoetry Visible Language 30, no. 2 (1996): 184-212.
Making Visible the Invisible: A Data-Driven Artwork in Continuos Operation for 15 Years
2019
Legrady, George and Rama Hoetzlein. Making Visible the Invisible: A Data-Driven Artwork in Continuos Operation for 15 Years https://www.mat.ucsb.edu/g.legrady/glWeb/publications/p/makingvisible.pdf.
Making Visible the Invisible
2010
Gil, Iker. Making Visible the Invisible https://mascontext.com/issues/information/making-visible-the-invisible.
Geomart-ut24
2023
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2023
Artwork: Geomart-ut24 Technic: Technological Arts, Creative Coding, Geometric Arts Year: 2023 (Exhibited at the 10th Mediations Biennale Asia-Europe) Geometric patterns sometimes appear as a reflection of an order we observe in nature, and sometimes
Up to 625
1997
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1997
Up to 625, functions on a structure accessed through the five key colors. A first image in five colors ramifies into five images, which in turn lead to twenty-five, and so on up to a corpus of 625 images. As the visitor moves through the website she
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