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Off-Sense - Cyberspace we all share
2002
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2002
Event: Off-Sense - Cyberspace we all shareInstitution: Yamaguchi Center for Arts and Media (YCAM)Comment:
Universal Experience - Art, Life and the Tourist’s Eye
2005
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2005
Showing for the first time in the UK, The Moment is a vast kaleidoscopic audio-visual installation by Doug Aitken, capturing the acute sense of disorientation experienced on waking in an unfamiliar place.
From LIGHTING to ENLIGHTENMENT, Light Making Sense
2016
Event: From LIGHTING to ENLIGHTENMENT, Light Making SenseInstitution: 2015 International Lighting and Creative City ForumComment:
Sense-Fiction
2020
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2020
Event: Sense-FictionInstitution: Le TripostalComment:
Euopean Media Art Festival 1992
1992
In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
Sense
2018
SenseArtist: Ricardo Dal FarraComment:
Osmoboxes
2014
"An Osmobox is a work of olfactory art that responds to the presence of the viewer by opening itself and gently releasing an aroma. All Osmoboxes are visually identical but completely distinct in their olfactory identity. This means that the viewer
I'm sorry I made you feel that way
2023
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2023
“I'm sorry I made you feel that way” is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves. Martina Menegon’s biometric data collected daily via a wearable smart ring
Limitless2023
2023
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2023
This interactive real-time artwork comments on the volatility of the stock market and the ephemeral nature of wealth, through an exploration of the intersection of technology, finance and mythology. Harris employs live market data, organising
XV: Fifteen Points
2015
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2015
video
Fifteen points (XV) defines the role of cognitive dissonance in diverse reactive spaces. In an interactive floor projection, viewers are encouraged to move throughout the space and engage in the manipulation of the art piece. Detecting both sound
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427
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