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  • Ellen Sandor is a new media artist, and Founder/Director of the collaborative artists’ group, (art)n. In 1975, she received an MFA in Sculpture from the School of the Art Institute of Chicago. Her MFA studies at SAIC led her to explore the
  • Event: Conversations at the Edge (CATE)Institution: the School of the Art Institute of Chicago (SAIC)Comment:
  • Event: "Perhaps" Online ReadingInstitution: the School of the Art Institute of Chicago (SAIC)Comment:
  • freequent traveller -
    Freequent traveller is an interactive installation by the Berlin based artist Susanne Schuricht. The interface consists of a hammock, whose movement is tracked by a custom-made hardware interface. The incoming data are then interpreted by a special
  • f_(noir) Solo CD Eilean Records - 2015 Shadow Detail 06:36 Ending (part 1) 06:34 Another Day 06:11 Ending (part 2) 05:28 A History of Silence 03:33 A Dark Thought 04:45 Ending (part 3) 05:22 Having Fallen 05:03 The Undoing Of Time 05:58 Endgame
  • Light Folds Craig Tattersall and Bill Seaman The Seaman and the Tattered Sail Available as a digital Release: https://facture.bandcamp.com/album/light-folds-2 The audio process Light Folds by The Seaman and The Tattered Sail is a collaboration
  • .. "So instead of writing about meaning production, I empower the exploration of meta-meaning processes that arise via self-directed engagement" ..
  • ADA Artist Interview 10/2020BILL SEAMAN – transdisciplinary explorations of meaning production and the process ofcreativityWhat are your current projects?I tend to work on many different things simultaneously, shifting from one to the other.
  • Territorism - video
    Dynamic video projection Project for the facade of Kunsthaus Bregenz (AT) Assistance: Patricia Köstring Sound: Nico Kirisits Post-production: Peter Koger, Manuel Maxl Recording and projection: Mäser digital media/Daniel Flatz Performer
  • DOMINGUES, DIANA MARIA G. Ciberadão e a magia das cibercoisas pervasivas In In vivo, in vitro, in silício: ensaios sobre a relação entre arte, ciência, tecnologia e o sagrado, edited by Leila AMARAL and Amir GEIGER, 246-275. São Paulo: Attar, 2008.