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  • William Kentridge -
    The exhibition William Kentridge offers a retrospective of the artist’s entire body of work, with particular emphasis on his latest pieces. It includes more than 70 works: drawings, animated films and sculptures. Noteworthy among the major works on
  • "Outside-in: exile at home" (2018 - 2021) is an installation by digital artist Annabel Castro. In the installation, using a machine learning algorithm, four classic fiction films are continuously torn apart inside a screening room.
  • White Cube -
    The spirit of contemporary art Most of the sensible minds have understood, since now long, that there is no reason to produce significant artwork nor explore virgin territories. It is a fundamental fact: it has to « be like contemporary art »…as
  • Perfume Organ -
    The monumental perfume organ represents a meaningful analogy between musical and olfactory compositions. Its purpose is to demonstrate how, point by point, the scent becomes a kind of oflactif weapon which, with its made to measure smells,
  • Seeking the common denominator of all contemporary artworks, in spite of their spectacular diversity, the artist found that it should be the very perfume of the art gallery, freshly repainted, before the exhibition opening. White Cube is first an
  • WHITE CUBE alpha exhibition The Age of Experience curated by Harald Kraemer, CMC Gallery, School of Creative Media City University, Hong Kong Seeking the common denominator of all contemporary artworks, in spite of their spectacular diversity, the
  • Event: Bulk Keywords for Open Art Practice: Architecture, Wind, Emotions, Stock, Fragrance, Dump, War, Urban, Fusion, Memory, phatic, virtuality…Institution: Seoul Art Space Geumcheon 'DA VINCI CREATIVE 2015'Comment:
  • "Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
  • Mit Vorträgen und Werkstätten unternimmt das Forum eine kritische Revision des öffentlichen Raums und fragt nach neuen Räumen für die Kunst. Monika Fleischmann, Leiterin der eCulture Factory, wird als Moderatorin an dieser Veranstaltung beteiligt
  • Morse, Margaret. Treshold Experiences, Incendiary Bodies and Frail Machines In Jim Campbell: Transforming Time: Electronic Works: 1990-1999, , 33-34. Tempe, Arizona: Arizona State University Art Museum, 1999.