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  • Pearlman,Ellen. Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.. Berkeley: North Atlantic Books, 2012.
  • Organizer: Sandrine Amiel, Parlement européen, Direction générale de la Communication Bureau en France, Paris Special thanks to Adrienne Éva Burányi, Director of Institute Liszt, Paris, Emma Bornai, Attachée culturelle of Institute Liszt, Paris, and
  • number 418 My response: attempting to achieve perfection through imperfection. inspired by David RufoArtist: Sally SheinmanComment:
  • NYC 1983-85 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1993 Victor: The title of the piece is the result of me
  • Sound-kinetic diorama exterior: acrylic object in crystalloid like form; interior: relief , turntable, light, sound dim: 115 x 72 x 70 cm The kinetic diorama submerged within and enhanced by the audio environment observed through an opening in the
  • Masucci, Lello and Lello Masucci, ed. Officina di Letteratura Elettronica. Naples: Atelier Multimediale Editirce, 2011.
  • Illouz Audrey. Olga Kisseleva: atelier de production. Paris: Centre Photographique Ile de France (CPIF), 2009.
  • comprises five video projections which atmospherically depict and re-interpret our habitat. In the exhibition space five projections are set up like a landscape. Each of these projections represents one aspect of the manifestation of nature as
  • “On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
  • Event: On Translation: The GameInstitution: Atlanta College of ArtComment: