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  • I am a Sensor
    ... Dabei wird in Kauf genommen, dass jedes Device bereits die Aufmerksamkeit des Performers vom eigenen Körper ablenkt auf technische Artefakte. In einigen Experimenten wird gezeigt, was passiert, wenn der Körper als ultimative Instanz der Bewertung seinen...
  • “ 2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan -
    ... bodies. This series conveys both femininity and religious symbolism. Although the creation of Lin’s works relies heavily on technology and digital techniques, she is actually being critical of the negative impact of technology on modern human society....
  • I̶n̛t͘e͟rf̕e̢ren̵ce -
    ... multiple telescopes, wave interference models reveal useful data patterns, uncovering phenomena such as pulsars. Using algorithmic techniques inspired by astrophysics wave interference patterns, I̶n̛t͘e͟rf̕e̢ren̵ce transports participants to an organic visual and...
  • Ototoxicity -
    ... It draws on how sound design often makes use of fluctuation (Chion 1997) and multiple layers (Colin 2005) and uses these techniques to represent some form of abstract dialogue. In addition, sound is most often described as an external influence (Phelan &...
  • The Observatories -
    ...The Observatories asked: What techniques make us feel those fight-or-flight or must-buy-it-now urges? It also demonstrated how easy it is to manipulate people through subconscious smell. In standalone structures in the centre of Milton Keynes, audiences were confronted...
  • Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer
    ...Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.
  • Kunst, Körperbewusstsein und das Technische Weltbild
    ...Penny, Simon. Kunst, Körperbewusstsein und das Technische Weltbild In Ars Electronica 1996: Memesis. Die Zukunft der Evolution, edited by Gerfried Stocker and Christine Schöpf, Wien and New York. : Springer Verlag, 1996.
  • Urban Simulation -
    ... understanding of which modalities & contexts are susceptible (and which are not) to the luminous- tangible interaction techniquues that underlie our Luminous Room work. (Source: http://tangible.media.mit.edu/projects/urbansim/)
  • Video-Math-Festival -
    ...Event: Video-Math-FestivalInstitution: Technische Universität BerlinComment:
  • Science + Fiction -
    ...2005 "Science + Fiction" (curated by Stefan Iglhaut and Thomas Spring) Studium Generale, Technische Universität Eindhoven - Eindhoven, Netherlands
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