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Move 36
2004
"Move 36" explores the permeable boundaries between the human and the nonhuman, the living and the nonliving. The title of "Move 36" refers to the dramatic chess move made by computer Deep Blue against world champion Gary Ka
spa
rov in 1997 -- a chess
Malerei zwischen Präsenz und Absenz
1991
Weibel, Peter and Wolfgang Drechsler. Malerei zwischen Präsenz und Absenz In Bildlicht - Malerei zwischen Material und Immaterialität, edited by Wiener Festwochen, 45-249. Wien: MUMOK Wien and Museum des 20. Jahrhunderts, Wien, 1991.
Charles Fourier, l'Ecart Absolu
2010
-
2010
Event: Charles Fourier, l'Ecart AbsoluInstitution: Musée des Beaux-ArtsComment:
Absolut Secret Sale: The Art of Secrecy
2001
-
2001
Event: Absolut Secret Sale: The Art of SecrecyInstitution: E
spa
ce TajanComment:
All you can see
2008
-
2008
With common video formats, almost 17 million different colours can theoretically be represented on the screen today. If these are shown all at once, a condensation in pure white is generated in the digital picture production. Tran
sla
ted into a
Location of I
2007
-
2009
In an attempt to become the absolute citizen, Martin John Callanan published his physical location every minute for two years between March 2007 and July 2009. Every minute of every day since the beginning of 2007 I have continually published my
Dildomatic Opera
2011
-
2011
... to ec
sta
sy and tenor touching the goal, m<
spa
n class="hit">ingles
spa
n> with the instrumental sounds, powerful and...
Featured Artist Ellen Pearlman
10/2018
.. co-founder of several media art re
sea
rch project
s a
nd artist residency programmes, including Art-A-Hack and ThoughtWork
s A
rts Residency ..
Random Rhetoric/Ars Electronica
2020
-
2020
video
GARDEN CONCEPT In the context of the Regional
STA
RTS Centers in Greece, the non-profit platform for social innovation projects MADE GROUP, with the support of the Athens Tech College and the Cultural Association of Archilochus of Paros, sets the
Matrix XII Krems
2019
video
“Matrix XII Krems” connects the new
Sta
te Gallery of Lower Austria and the Kunsthalle Krems in a vast
spa
ce below ground. The individual light
s a
re arranged in a strict square grid on a
sla
nted plane and delineate the border between emptines
s a
nd
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