Archive Search

  • Vinas Limonchi, Manuel. Tecnicas de Infografia: Variables creativas metodológicas en el desarrollo de la imagen digital. Madrid, ES: Editorial McGraw-Hill Interamericana de Espana, 2001.
  • Allen, Rebecca and Eitan Mendelowitz. Coexistence In CAST01 // Living in Mixed Realities, edited by Monika Fleischmann and Wolfgang StraussSchloss Birlinghove: German Federal Ministry of Education and Research, 2001.
  • Metamediji
    Manovich, Lev. Metamediji. Belgrade: Centar za savremenu umetnost [Center for Contemporary Arts], 2001.
  • Bosco, Roberta. Viaggi and Tecnologia Net Art: tavolozze digitali Gulliver (Rizzoli Periodici) (January 2001): 124-131.
  • Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
  • Eskin, Blake. Building the Bioluminescent Bunny ARTnews 100, no. 1 (2001): 118-119.
  • Ranzenbacher, Heimo. Strategies of Intertainment In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer Verlag, 2001.
  • Shedroff, Nathan. Experience Design 1. Vol.1. San Francisco, CA: New Riders Press, 2001.
  • Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • Dr Alan Dunn studied at Glasgow School of Art and The Art Institute of Chicago. He was curator of The Bellgrove Station Billboard Project (Glasgow, 1990-91), lead-artist on the tenantspin project (Foundation for Art & Creative Technology, Liverpool