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  • Universal Experience - Art, Life and the Tourist’s Eye -
    Showing for the first time in the UK, The Moment is a vast kaleidoscopic audio-visual installation by Doug Aitken, capturing the acute sense of disorientation experienced on waking in an unfamiliar place.
  • Euopean Media Art Festival 1992
    In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin
  • From LIGHTING to ENLIGHTENMENT, Light Making Sense
    Event: From LIGHTING to ENLIGHTENMENT, Light Making SenseInstitution: 2015 International Lighting and Creative City ForumComment:
  • Sense-Fiction -
    Event: Sense-FictionInstitution: Le TripostalComment:
  • Sense
    SenseArtist: Ricardo Dal FarraComment:
  • Osmoboxes
    "An Osmobox is a work of olfactory art that responds to the presence of the viewer by opening itself and gently releasing an aroma. All Osmoboxes are visually identical but completely distinct in their olfactory identity. This means that the viewer
  • I'm sorry I made you feel that way -
    “I'm sorry I made you feel that way” is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves. Martina Menegon’s biometric data collected daily via a wearable smart ring
  • Limitless2023 -
    This interactive real-time artwork comments on the volatility of the stock market and the ephemeral nature of wealth, through an exploration of the intersection of technology, finance and mythology. Harris employs live market data, organising
  • metaDESK -
    The metaDESK is our first platform for exploring the design of tangible user interfaces. The metaDESK integrates multiple 2D and 3D graphic displays with an assortment of physical objects and instruments, sensed by an array of optical, mechanical,
  • XV: Fifteen Points - video
    Fifteen points (XV) defines the role of cognitive dissonance in diverse reactive spaces. In an interactive floor projection, viewers are encouraged to move throughout the space and engage in the manipulation of the art piece. Detecting both sound
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