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SOLAR
2009
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2010
Imagine entering a machine, supplying the co-ordinates of a city and a specific moment in time and as a response you receive the direction, the intensity and the sensation of heat and light that the sun radiated in that time-space. Solar is a
Parables for the Virtual: Movement, Affect, Sensation
2002
Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. Durham, NC: Duke University Press, 2002.
From sensors to sensation: The “Sensory Turn” in Contemporary Art
2016
Event: From sensors to sensation: The “Sensory Turn” in Contemporary ArtInstitution: Chronus Art CentreComment:
Mobile Feelings
2003
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2003
"Mobile Feelings" is an artistic project that explores the ambivalence of sharing personal information with an anonymous audience. Instead of communication via voice or images to people we know, "Mobile Feelings" lets people communicate with
Israel Lopez
Mexican digital artist, PhD in Art and Culture, Master of Arts for Architecture, Art and Design Division of the University of Guanajuato. His work is constituted in the manipulation of digital media and its relationship with the human body,
The Bush Soul (#3)
1999
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1999
Third in a series of interactive art installations. A haptic, force-feedback joystick provides both navigation and tactile sensations, connecting one's physical body and virtual soul. Funded in part by Intel Research Council. (Rebecca Allen)
Woolford: Cyber Sex.
1993
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1994
This was the first piece examining the possibilities of haptical sensations transmitted through ISDN-connections. An archaic piece of extreme media and meanwhile a classic. (newmediabeijing.org)
PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDE
1986
Multimedia installation with neon, recorder and cassette tape, repeating graphs of electrocardiograms, transcribed in neon, which generate sensations of living inside a heart.
Mobile Feelings l
2002
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2003
video
2002/03 tangible communication device "Mobile Feelings" is an artistic project that explores the ambivalence of sharing personal information with an anonymous audience. Instead of communication via voice or images to people we know, "Mobile
Deep Space Sensations & Immersion
2002
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2003
Event: Deep Space Sensations & ImmersionInstitution: Australian Center for the Moving Image (ACMI)Comment:
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