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Anderson, Michael. Sugar and Spice Art Issues (May/June 1993).

Anderson, Isabel. The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows VISIONS Art Quarterly (Spring 1994).

Anderson, Isabel. Prints and Pixels Newsprint: Journal of the Los Angeles Printmaking Society (Winter 1995).

Penny, Simon. Virtual Reality as the End of the Enlightment Project In Virtual Reality Casebook, edited by Carl Eugene Loeffler and Tim AndersonHoboken, New Jersey: Van Nostrand Reinhold Company, 1994.

Andres Burbano and Hernando Barragán, ed. Hipercubo/ok : arte, ciencia y tecnología en contextos próximos. Bogotá: Universidad de los Andes : Goethe Institut Bogotá, 2002.

DOMINGUES, DIANA MARIA G and Anderson MACIEL and Henrique DEBARBA and Jeronimo G GRANDI and Luciana P NEDEL. WindWalker: using Wind as an orientation tool in virtual environments SVR 2009 – XI Symposium on Virtual And Augmented Reality (2009):

Andres Burbano, ed. Siegfried Zielinski: Genealogías, visión, escucha y comunicación. 1st th ed.Bogotá, Colombia: Universidad de Los Andes : Goethe Institut Bogotá, 2007.

Francien Verdenius and Jorge Maya and Geke Ludden and Pieter Desmet and Andrés Burbano and Vanessa Okken and Juan Salamanca and Ad Pruyn. Appearences can be deceiving. The portal of weight and embodied meaning portrayal in product design.

DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.