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  • VINCI'23 -
    “BichEden: Folds” uses philosophy of ecology and scientific concepts related to food web communities as empirical grounding for associative thinking in the creation of imaginative 3D visualizations. Driven by how the Anthropocene extinction is
  • MARIO GARCÍA TORRES: ILLUSION BROUGHT ME HERE
    Vincenzo de Bellis and Caroline Dumalin, ed. MARIO GARCÍA TORRES: ILLUSION BROUGHT ME HERE. Minnesota: Walker Art Center, 2019.
  • Sphinx
    vintage fax on white paper, 21 × 29.7 cm (8.27 × 11.69 inches), 1987. Transmission information is visible on the left side. Transmitted from Rio de Janeiro to Mario Ramiro in São Paulo.
  • I Bienal de Artes Visuais do Mercosul
    Event: I Bienal de Artes Visuais do MercosulInstitution: Casa de Cultura Mário QuintanaComment:
  • PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDE -
    Event: PULSAÇÃO OU ONDA OU VERMELHO, NÃO VERDEInstitution: Casa de Cultura Mario QuintanaComment:
  • Bio-Biblion -
    Event: Bio-BiblionInstitution: Casa de Cultura Mário QuintanaComment:
  • "Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology
    Pink, Sarah and Roderick Coover and Pat Badani and Flavia Caviezel and Mark Marino and Nitin Sawhney and William Uricchio, ed. "Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology. Vol.Advances in
  • TRANS-E: The Body and Technologies -
    Event: TRANS-E: The Body and TechnologiesInstitution: Casa de Cultura Mário QuintanaComment:
  • Videoinstalação "Restos -
    Event: Videoinstalação "RestosInstitution: Casa de Cultura Mário QuintanaComment:
  • Deep Contact -
    The next interactive piece, DEEP CONTACT (1989), directly involves the body of the viewer/participant who were required to touch the computerscreen. Viewers choreograph their own encounters in the vista of voyeurism by actually putting their hand on
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