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  • VISAP’16 Metamorphoses -
    Event: VISAP’16 MetamorphosesInstitution: IEEE VIS 2016 Arts ProgramComment:
  • Visceral Cinema: Chien.
    Event: Visceral Cinema: Chien.Institution: Telic Arts ExchangeComment:
  • Father-land
    Moore, Stuart and Kayla Parker. Father-land Layers of Visibility (October 2018): 79 to 90.
  • Lin Pey-Chwen
    Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan
  • Corpocinema -
    The Corpocinema ('corporeal cinema') was an expanded cinema environment presented in a series of open-air performances in Rotterdam and Amsterdam in 1967. The basic structure was a large air-inflated transparent PVC dome onto which film
  • The Eighth Day -
    The Eighth Day -- The Eighth Day is a transgenic artwork that investigates the new ecology of fluorescent creatures that is evolving worldwide. The Eighth Day was shown from October 25 to November 2, 2001 at the Institute for Studies in the Arts,
  • Vision und Visage. Überlegungen zur Faszinationsgeschichte der Medien
    Macho, Thomas. Vision und Visage. Überlegungen zur Faszinationsgeschichte der Medien In Inszenierte Imagination. Beiträge zu einer historischen Anthropologie der Medien, edited by Wolfgang Müller-Funk and Hans-Ulrich Reck, 87-109. Wien, New York:
  • Art and Science as Creative Catalysts
    Gates-Stuart E; Lovell D; L. Nyugen C; Adcock M; Bradley J; Morell M;. Art and Science as Creative Catalysts (Special Section of Leonardo Transactions “Highlights from the IEEE VIS 2013 Arts Program (VISAP’13), edited by Angus Forbes.”.
  • Nancy Mauro-Flude
    Nancy Mauro-Flude is a mother, digital caretaker, and faerie circuit researcher whose commitment to holistic computing arts advances expanded forms of literacy around digital customs, codesign and somatic investigation at scale. She is founder of
  • Infected -
    Infected is about the nature of the physical body in the context of future possibilities, and the new status of the corporeal body seen through dance and digitally manipulated imagery. The new bio-engineered body is still sexual, stark, brutal,
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