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  • José Augusto Mourão. Arte e Comunicação Revista de Comunicação e Linguagens (2007): 11-16.
  • DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.
  • DOMINGUES, DIANA MARIA G. Arte e Tecnociência: Radical digital e pós-biológico reinventando a vida para um futuro mais saudável. In FAD - Festival de Arte Digital: Edição 1ª Bienal de Arte Digital ? Linguagens Híbridas, edited by Tadeus MUCELLI and
  • reWrite
    The focus of an artwork such as reWrite is identity. The work addresses this theme through the use of interactive systems, where the relationship between the viewer and the artwork is explicit and active. This act of interaction functions to raise
  • Duke Performances, Durham, 2018 - world premiere A bold new opera developed at Duke University that uses the high-drama framework of opera and advanced technology to explore ideas of apocalypse, renewal, and survival in the modern age. During each
  • Stanze -
    "Stanze" is composed by a video-camera and a back-projected screen located in a void room. The camera is located at the top center of the screen. The observer has freedom to move around the room and several observers can interact with the artwork.
  • Sphere -
    SphereArtist: David LinkComment:
  • Three City Link -
    In 1989, the Three-City Link event brought together artists in Chicago (organized by Eduardo Kac and Carlos Fadon), Boston (led by Dana Moser), and Pittsburgh (the DAX [Digital Art Exchange] Group). A slow-scan television system connected to a
  • Telecommunications event between Rio de Janeiro and São Paulo uniting fax and live TV, 1988. Connecting the public medium of television with the private medium of the fax this work created a system of feedback based on the continuous exchange and
  • anet Cardiff's contribution to #10101 is a «Video Walk,» an original, immersive, site-specific art form. Museum visitors who wish to «do» Cardiff’s piece are given a small digital camcorder equipped with stereo headphones. It contains a tape