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CULT 2001: Exploring an interface between Cultural heritage, Net art and State of the art projects
2001
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2001
Event: CULT 2001: Exploring an interface between Cultural heritage, Net art and State of the art projectsInstitution: CultureNet DenmarkComment:
4th International Experimental Film festival
1967
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1967
Event: 4th International Experimental Film festivalInstitution: experimental film festivalComment:
Artificial Landscapes
1970
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1970
Event: Artificial LandscapesInstitution: Kunsthalle HamburgComment:
City of Arts and Sciences
2000
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2000
Event: City of Arts and SciencesInstitution: Ciutat de les Arts i les CienciesComment:
3rd Lyon Biennale
1995
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1996
Event: 3rd Lyon BiennaleInstitution: ACM SiggraphComment:
ArtSci2001: Catalyst for Collaboration
2001
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2001
Event: ArtSci2001: Catalyst for CollaborationInstitution: ASCI (Art & Science Collaboration, Inc.)Comment:
Brian Reffin Smith
Working with computer based arts since the late 1960s. There should be humour and politics, at least sometimes, in art. Especially the humour and politics of digital art. I think art should be a more or less systematic enquiry whose goal is
Scott Sona Snibbe
Scott Snibbe is a pioneering digital artist and entrepreneur whose work includes apps, video, and interactive installations. His art is in the permanent collections of the Whitney Museum of American Art and the Museum of Modern Art (MoMA), which in
Nina Sobell
Artist Statement: I am interested in exploring notions of transformation, energy transfer, bridging the conscious and unconscious realms, and rendering the invisible visible through action and reaction. The results manifest themselves either as an
Between 5
1971
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1971
Event: Between 5Institution: Kunsthalle DüsseldorfComment:
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