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Refashioning the microbial Body
2012
Mariel Villeré. Refashioning the microbial Body Thresholds , no. 42 (2012).
Refashioning the microbial Body
2012
Villeré, Mariel. Refashioning the microbial Body Threshold , no. 42 (2012).
Refraction
2010
"Refraction" explores the cinematic narrative of the photographic image in a non-electronic form, the lenticular medium, a process in which two or more images can be seen sequentially simply through the changing of the observer’s viewing
TRIAD HyperDance
1998
-
1999
TRIAD HyperDance is an interactive art work on the net, containing a dance work as hypervideo and an interactive choreography. The work can be seen at the url address http://triad.kiasma.fng.fi and at the http://ctheory.concordia.ca. The TRIAD
Figure
2000
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2000
FIGURE is an interactive installation. Spectators are invited to take part in the formation process of the cinematic meaning. The interaction is based on the conversation between the moving body and cinematic elements. Spectators are photographed
passage- a Hybrid Interactive Installation andPerformance
2010
Kusch, Martin and Marie-Claude Poulin. passage- a Hybrid Interactive Installation and Performance In Proceedings of the 16th International Symposium on Electronic Art, edited by J. Funke and S. Riekeles and A. Broeckmann and Hartware
EMDL European Mobile Dome Lab for Artistic Research
2015
Charitos, Dimitris and Martin Kusch and Mike Phillips and Marie-Claude Poulin and Ruth Schnell. EMDL European Mobile Dome Lab for Artistic Research In ISEA2015 - 21st International Symposium on Electronic Art - Proceedings, edited by ISEA2015,
At Play: a moment in the life of objects
2016
Kusch, Martin and Marie-Claude Poulin. At Play: a moment in the life of objects In Digital Synesthesia - A Model for the Aesthetics of Digital Art, edited by K. Gsöllpointner and R. Schnell and R. Schuler, 110-113. Berlin: De Gruyter, 2016.
Diver: a cyber-kinesthetic installation
2016
Kusch, Martin and Marie-Claude Poulin. Diver: a cyber-kinesthetic installation In Digital Synesthesia - A Model for the Aesthetics of Digital Art, edited by Katharina Gsöllpointner and Ruth Schnell and Romana Schuler, 114-117. Berlin: De
Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV
2013
TRAMUS, MARIE-HELENE and Diana Domingues. Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV In France-Brésil : des jalons pour l’avenir : Repères historiques et prospectifs pour des échanges
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