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Weibel, Peter. Machine Experienced Space Series of Philosophy of Art and Art Theory 14 (1999): 157-171.

Bostic, Adam I.. Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory Leonardo 31, no. 5 (1998).

Freedberg, David. The Power of the Images: Studies in the History and Theory of Response. Chicago, IL: University of Chicago Press, 1991.

Krueger, Myron. Artificial Reality: Past and Future In Virtual Reality: Theory, Practice, and Promise, edited by Sandra Helsel and Judith Paris Roth, 19-25. London: Meckler Publishing, 1991.

Mitchell, William John T.. Picture Theory/Essays on Verbal and Visual Representation. Chicago, IL: University of Chicago Press, 1995.

Penny, Simon. Moores Law, Systems Theory and the Aesthetics of Interactive Art Astrolabe Online Journal (1988).

Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.

Kisseleva, Olga and Oliver Grau. Theory and Practice of Media Art: Aesthetic Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited by NCCAEkaterinburg: NCCA, 2010.

Ascott, Roy. Towards a Field Theory for Postmodernist Art Leonardo 13, no. 13 (1980): 51-52.

Birkhoff, Georg David. A Mathematical Theory of Aesthetics and its application to Poetry and Music The Rice Institute Pamphlet 19, no. 3 (July 1932).