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  • One of the first dance and media performances designed for a fulldome virtual reality environment. An immersive visual and sound environment, paired with epicurean pleasures and the contemplation of a dance performance. Architectural skies and
  • The audience is elevated and observes the stage from a low angle, as in an anatomical theater where humans are enveloped by a swarm of inorganic beings. Graphical entities with their own behavioral code. A show for two dancers and digital particles,
  • Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and
  • Immersive film, specially designed for a fulldome environment. Multiple 3D landscapes modulated by female voices. The physical absence of the performers is materialized here by the pairing of the spatialization of their litanies to the movement of
  • Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
  • Kac, Eduardo. Télescope intérieur. France: Atelier Marie-Sol Parant, 2017.
  • Poulin, Marie-Claude and Martin Kusch. kondition pluriel- towards a fusion of performance and installation In Internationales Festival für computergestützte Kunst, edited by Trans-Media-Akademie Hellerau, 76-83. Dresden: Trans-Media-Akademie
  • passage
    Poulin, Marie-Claude and Martin Kusch. passage In Internationales Festival für computergestützte Kunst, edited by Trans-Media-Akademie Hellerau, 74-45. Dresden: Trans-Media-Akademie Hellerau e.V., 2008.
  • Poulin, Marie-Claude. Sensing the links- Creating art work with new media and dance In Program to Perform- Exploring Dance and New Media, edited by I. Berg and A. Hansen, 86-92. Oslo: Oslo School of Architecture and Design and Dance Information
  • Mariel Villeré. Refashioning the microbial Body Thresholds , no. 42 (2012).