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  • We are at the edge between human need and human greed. No need to be inside the Matrix to see that the world is covered with data quantifying all human activities into convertible and interpretable figures. As the new part of the Mechanics of
  • In a world where human transactions mostly apply to human values, where metaphors reside in the syntactic articulation of these values, we may find very peculiar layers of truth that make sense in an unexpected way. Transactional Poetry is
  • Laufende Projekte -
    Video installation [English title, Ongoing Projects] "The projection of a sequence of images onto a ball and, as a consequence, the wall behind it, results in the juxtaposition of two projection surfaces. Whereas the ball displays a focused but
  • Frohne, Ursula. Agnes Hegedues: Their Things Spoken In Future Cinema. The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 336-339. Cambridge, MASS: The MIT Press, 2003.
  • Peter grew up around the world, studied math, and liked to build things. Using math to make pictures led him to computers, which led to trying to “get the darn things to generate pretty images easily”. Still striving for that goal, with a day job at
  • Robert Lazzarini is an American artist who lives and works in New York. Primarily a sculptor, Robert is best known for making common objects that have been subjected to compound distortions which have the effect of confusing visual and haptic
  • LUCENA, Tiago and Diana DOMINGUES and Hygor V. P MARTINS. Online Social Network based on Internet of Things and Habit of Drinking Coffee in South of Brazil 24th ISEA - International Symposium on Electronic Art 1 (2018): 390-393.
  • Frohne, Ursula. "Show and Tell, The Discursive Idea of Things" and "Horror Vacui" In (dis)Locations, , 512-61; 84-93. Ostfildern-Ruit: Hatje Cantz, 2001.
  • MacDonald, Marylea. Re-membrance of Things Past A Floating Gallery Monograph (1995): 4 pages.
  • Latour, Bruno and Peter Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.