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Kronman, Linda and Andreas Zingerle. Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer International Publishing (2013): 253-256.

Perissinotto,Paula & Barreto,Ricardo, ed. Teoria Digital: dez anos do FILE Festival Internacional de Linguagem Eletrônica. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2010.

Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Kunsthochschule für Medien Köln, Der Rektor. Echo. Neue Medien x Alte Meister [].

Alstad, Michael. “Subversive Cartography: challenging the accuracy of the official map” Catalogue essay for Virtual Net Art Museum Collection Canada (VMC) Gallery TPW (May 2007):

Jones, Stephen. Breathing/Diving/Dreaming/Dancing BEAP in Perth (You Can´t Buy These Emotions off the Hollywood Shelf) Artlink 22, no. 4 (2002).

Aceti, Lanfranco. Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings Art Inquiry (2008): 20-21.

Simó, Águeda. The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-dimensional World Leonardo 2, no. 51 (2018): 124-127.

Travis, Rebecca. Sylvia Grace Borda: Camera Histories Photomonitor UK 2014 (January 2014): http://www.photomonitor.co.uk/2014/01/sylvia-grace-borda-camera-histories/.

Benayoun, M.. La 3D dans les systèmes interactifs, habillage ou langage? www.benayoun.com.