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  • Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art
    Kluszczyński, Ryszard W.. Towards Posthuman Creativity: From Kinetic to Bio-Robotic Art In Art Line: A Baltic Collaboration, edited by Magdalena Mróz-Grygierowska and Torun Ekstrand, 94-101. Karlskrona: Blekinge Museum, 2014.
  • European Media Art Festival 2000:Now/Future -
    This year, EMAF’s congress – under the motto "European Digital Visions" – focused on the cultural self-image of our mediatised society including the i2tv live Demonstrator session with six on-line participants, on-site audience and the on-site
  • European Media Art Festival 2004: Transmitter
    The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this
  • The Exquisite Mechanisms of Shivers - video
    The second major interactive installation was entitled The Exquisite Mechanism of Shivers (1993). It should be noted that many of Seaman's works were shown in different states and /or alternate contexts. Each version of the work informs other
  • West-East 2
    4. West-East 2. 2000 Paper Size: 23" by 29" Pen and ink plotted drawing. Linear fields address the attraction and repulsion of opposites - their similarity and their difference are presented simultaneously as "West-East" or "Heaven and
  • Digitale Abstraktionen -
    The exhibition entitled Digital Abstraktionen is on view at the Basel House of Electronic Arts (HeK) in April and May 2016. The exhibition is curated by Alexandra Adler and Reinhard Storz. The project Digital Abstraction explores abstract works of
  • Ryszard W. Kluszczynski
    Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of
  • Flying Crane
    Gallery view from outside. The artist's first robotic brush strokes were achieved in 1987. The strokes achieve spontaneous qualities using coded procedures. The software generates a brush form and requests a paint brush. The artist places a
  • Triangles and Narratives -
    This project explores ways in which people can create/navigate through non-linear narrative spaces using Triangles. Triangles is a digital/physical construction kit of indentical, flat, plastic triangular pieces. The pieces connect together both
  • handSCAPE -
    HandSCAPE is a vectorizing digital tape measure as an input device for digitizing field measurements, and visualizing the volume of the resulting vectors with computer graphics. Using embedded orientation-sensing hardware, HandSCAPE captures
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