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  • Jeffrey Shaw-Place-a-user´s Manual
    Wirths, Axel. Jeffrey Shaw-Place-a-user´s Manual In Der elektronische Raum -15 Positionen zur Medienkunst, , 214-225. Ostfildern-Ruit: Hatje Cantz, 1998.
  • date | place
    Ikeda, Ryoji. date | place. Atelier de Création Radiophonique(ACR), France Culture: Èdition DIS VOIR, FR, 2010.
  • Pier Giorgio De Pinto
    The work of the Italian artist Pier Giorgio De Pinto thrives on the relationship between representation and concept in a constantly and suddenly changing image-based society in search of a new identity. Since the sixties, recent changes have been
  • A Turning Point in Japanese Avant-garde Art: 1964 – 1970
    Kusahara, Machiko. A Turning Point in Japanese Avant-garde Art: 1964 – 1970 In Place Studies in Art, Media, Science and Technology, edited by Andreas Broeckmann and Gunalan NadarajanVDG Weimar: 2008.
  • Evelina Domnitch
    mitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • Alan Dunn
    Dr Alan Dunn studied at Glasgow School of Art and The Art Institute of Chicago. He was curator of The Bellgrove Station Billboard Project (Glasgow, 1990-91), lead-artist on the tenantspin project (Foundation for Art & Creative Technology, Liverpool
  • Alexandra Ehrlich Speiser
    Manifesting randomness ​ Alexandra Ehrlich-Speiser creates manifestations of the random. Using arbitrary decisions and consciously brought about glitches in machines and digital systems she creates poetic experiences that recontextualize the
  • Image as Place, The Phenomenal Screen inKit Galloway & Sherrie Rabinowitz’s Satellite Arts 1977
    Paulsen, Kris. Image as Place, The Phenomenal Screen in Kit Galloway & Sherrie Rabinowitz’s Satellite Arts 1977 Leonardo Electronic Almanac 19, no. 2 (2013): 98-111.
  • Dmitry Gelfand
    Dmitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • place-urbanity -
    Event: place-urbanityInstitution: Australian Center for the Moving Image (ACMI)Comment:
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