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I like Frank
2004
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2004
In March 2004 Blast Theory premiered the world's first 3G mixed reality game, I Like Frank in Adelaide, at the Adelaide Fringe. I Like Frank took place online at www.ilikefrank.com and on the streets using 3G phones. Players in the real
Blow up
2005
video
Blow Up records, amplifies, and projects human breath into a room-sized field of wind. The installation comprises two devices. The first is a rectangular array of twelve small impellers, which stands on a table on one side of the gallery. This small
Maschinensehen (Machine-Vision)
2013
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2013
Through video essays and photography, the exhibition MASCHINENSEHEN [MACHINEVISION] documents the practice of picture production: its devices and technologies, the laboratories, as well as the sites where the new processes are applied. In addition,
Writing the History of the Future - The ZKM Collection
2019
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2019
Writing the History of the Future - The ZKM Collection ZKM | Center for Art and Media Atrium 8+9 Lorenzstraße 19, 76135 Karlsruhe Opening: Friday, 19.07.2019, 6 pm Foyer Curators: Peter Weibel, Margit Rosen
I.E.D (Improvised Empathetic Device)
2007
I.E.D (Improvised Empathetic Device) The current U.S. led war in Iraq has suffered enormous casualties, where the toll on civilian lives in Iraq is vague and many times unreported. The number of U.S. casualties is reported and monitored, many of
Body Scanned Architecture
1995
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1995
video
Interactive computer installation "With the interactive video/computer environment, Body Scanned Architecture, presented at the Venice Biennale, Ruth Schnell explores a classic interface concept between real architecture (from the Hoffmann pavilion)
Bill Viola
Bill Viola has been instrumental in the establishment of video as a vital form of contemporary art, and in so doing has helped to greatly expand its scope in terms of technology, content, and historical reach. For 40 years he has created videotapes,
The Time Machine that is Landscape
2006
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2006
The Time Machine that is Landscape brings together sound, video and paint in unison to bring the sensorial delight of the Cornish landscape to life. Julie Freeman’s environmental field recordings are embedded within, behind and around Robert
Making Things Public. Atmospheres of Democracy
2005
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2005
Curatorial managers: Bruno Latour and Peter Weibel Curator of the web-based projects: Steve Dietz The exhibition Making Things Public addresses the challenge of renewing politics by applying to it the spirit of art and science. This unusual
Exhibition (9th September - 24th September 2017)
2017
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2017
Curator: Atsuhito Sekiguchi
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