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The Connection MachineHillis, W. Daniel
1987
Hillis, W. Daniel. The Connection MachineHillis, W. Daniel 256 (Jun 1987): 108-115.
Epidémie
2007
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2007
Rendre visible l’invisible Parce que l’on parle ici de l’invisible qui détermine notre destin, il est important de lui donner une forme de visibilité. Le danger réside dans l’incapacité du cerveau à dissocier l’importance de la menace de la
Disappearance
1993
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1993
video
In this work the movement of a large video monitor mounted on an industrial fork-lift truck creates a virtual representation of a larger than life size ballerina. As the forklift moves the monitor up and down the ballerina is presented from head to
Golden Calf
1994
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1994
video
This work is constituted by a white pedestal on which there stands an LCD colour monitor connected to computing machinery by a cable running through the pedestal. The viewer of this work picks up and holds this monitor in his hands. The screen shows
ADA_ArtistInterview_ClaudiaRoblesAngel.pdf
ADA Artist Interview with Claudia Robles AngelArchive of Digital Art, August 2021Full text and interview by Rachel Müller on ADA:https://www.digitalartarchive.at/features/featured-artists/featured-artist-claudia-robles.htmlWhat are your current
Featured Artwork "I’m sorry I made you feel that way" by Martina Menegon (2023)
06/2024
I'm sorry I made you feel that way (2023) by Martina Menegon is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves.
The Thinking Machine
2023
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2023
Large retrospective show with many artists from computer art history: Ai-Da Robot, Victor Acevedo, Vladimir Bonačić, Analivia Cordeiro, Pierre Cordier, Geoff Davis, Hans Dehlinger, Boris Eldagsen, Primavera de Filippi, Herbert W. Franke, Hein
The Time Machine that is Landscape
2006
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2006
The Time Machine that is Landscape brings together sound, video and paint in unison to bring the sensorial delight of the Cornish landscape to life. Julie Freeman’s environmental field recordings are embedded within, behind and around Robert
RGB VW
1991
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1991
This work was conceived in relation to a particular location, a disused automobile factory in Karlsruhe. Such a space is clearly significative of industrial culture. But we are now shifting towards a more immaterial fascination - the media
8520 S.W. 27th Place
2004
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2004
8520 S.W. 27th PL is an installation about the pointlessness of our never ending decision making process: choosing between left or right, brown shoes or black shoes, K-mart or Wal-mart. The exhibit features modified Dancing Hamster Toys, originally
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