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...ous” or “historical” or “important” buildings. Generally, there is no interest in documenting and preserving the contemporary environment of the working class, although these are just as important a part of a culture as its public buildings. With such a precise copy of...

...The Corpocinema ('corporeal cinema') was an expanded cinema environment presented in a series of open-air performances in Rotterdam and Amsterdam in 1967. The basic structure was a large air-inflated transparent PVC dome onto which film and slides were...

... of stories in three dimensions. It was created for the UNSW iCinema Centre's Advanced Interaction and Visualisation Environment (AVIE). For T_Visionarium, 28 hours of digital free-to-air Australian television was captured over a period of one week....

... and embodiment by blurring the boundaries between physical and virtual realms. • Narrative & Discourse: The virtual environment functioned as a space for philosophical dialogue, exploring the intersection of AI, human-machine interaction, and digital...

...The authors developed mARChive using the AVIE 360-degree stereoscopic interactive visualization environment. For this project they selected eighty thousand heterogeneous digital records of objects from Museum Victoria collections, out of a total collection of sixteen...

... in a way that is intimately connected to the audience's input. The objective of this work was to create a mixed reality environment where multiple participants could create visuals and music together.[9] Elements of this work are recognizable in...

... City of London. As the viewer steps onto the escalator their moving image is captured by a video camera. The background and environment within which they are captured is deleted from the imagery and they then see themselves life size in the vertically...

...An immersive interactive virtual-realty environment installation with 3D computer graphics and interactive 3D sound, a head-mounted display and real-time motion tracking based on breathing and balance. Osmose is a space for exploring the perceptual interplay between...

... presence. Wireless photoelectric sensors distributed throughout the performance space measure the changes of light in the environment. Additionally, Schumacher himself wears several acceleration sensors which also gauge sudden changes of speed or tempo in...

... since people do not doubt the veracity of their own photographs. Hence, photos can reproduce the reality of an individual environment or public space. At sacred or popular locations, or those having a political connotation, an intervention with the...