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Ascott, Roy. The Shamantic Web: art et technologie de la conscience In Pour une Ecologie des Media: Art, Cinéma, Vidéo, Ordinateur, edited by M. Klonaris and K. Thomadaki, 88-104. Paris: Astarti, 1998.

Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.

Badani, Pat. Foreignness and Translation in New Media ,http://median.newmediacaucus.org/archives_in_progress/pre_2009_issues/issues.php?f=papers&time=2009_spring&page=front. [24.04.2009].

Fleischmann, Monika and Wolfgang Strauss. Beyond Narcissus - Seeing the Self in the Other In RE:SOURCE The 10 thInternational Conference on the Histories of Media Art, Science and Technology, edited by Francesca Franco and Andreas Burbano,

Fleischmann, Monika and Wolfgang Strauss. Beyond Narcissus - Seeing the Self in the Other In RE:SOURCE The 10 thInternational Conference on the Histories of Media Art, Science and Technology, edited by Francesca Franco and Andreas Burbano,

Kacunko, Slavko. Closed Circuit. Vol.1. ISBN 3-8325-0600-4, 1 th ed.Berlin: Logos Verlag, 2004.

Lindner, Martin. Kunst im Gentech-Zoo Gegenworte. Zeitschrift für den Disput über Wissen 9 (Spring 2002): 71-74.

Morse, Margaret. Tender Technology In Art As Signal: Inside the Loop, edited by Krannert Art Museum: 1995.

Shaw, Jeffrey. Le Musée Virtuel art press spécial: Nouvelles Technologies un Art sans Modele? 12 (1991): 175.

Curtis, Cathy. Hjce´n´Subversive Los Angeles Times (Orange County edition) (March 1993).