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A coelhinha e a bioarte
2001
Beiguelman, Giselle. A coelhinha e a bioarte http://www.ekac.org/beiguelmanweb.html.
A Computer in the Art Room: The Origins of British Computer Arts 1950-1980
2008
Catherine Mason. A Computer in the Art Room: The Origins of British Computer Arts
1950-1980. Norfolk, UK: JJG Publishing, 2008.
A Critical Examination of "Computer Art": Its History and Application
2003
A Critical Examination of "Computer Art": Its History and ApplicationAuthor: Lambert, Nick
A Critical Review of Rafael Lozano-Hemmer's Work in Venice
2007
Sukuraman, Ashok. A Critical Review of Rafael Lozano-Hemmer's Work in Venice .
A Documentary
2000
A documentary about William Kentridge. Duration: 52 minutes.
A emergência de emoções Artificiais: a condição interface ada vivida seamless, nômade, móvel e autônoma em Ciberinstalações
2007
DOMINGUES, DIANA MARIA G. A emergência de emoções Artificiais: a condição interface ada vivida seamless, nômade, móvel e autônoma em Ciberinstalações Emoção Artificial 3.0 interfaces cibernética (2007).
A Fair to Remember
1995
Savaiano, Jacqueline. A Fair to Remember Entertainment Weekly (June 30th 1995).
A Fiction of Authenticity, Contemporary Africa Abroad
2003
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2004
Event: A Fiction of Authenticity, Contemporary Africa AbroadInstitution: Contemporary Art Museum St. LouisComment:
A Fiction of Authenticity: Contemporary Africa Abroad
2003
Jinorio, Orlando Britto and Ery et.al. Camara. A Fiction of Authenticity: Contemporary Africa Abroad. St. Louis, MO: Contemporary Art Museum St. Louis, 2003.
A Framework for Immersive Virtual Environments (FIVE): Speculations on the Role of Presence in Virtual Environments
1997
Slater, Mel and Sylvia Wilbur. A Framework for Immersive Virtual Environments (FIVE): Speculations
on the Role of Presence in Virtual Environments Presence: Teleoperators and Virtual Environments (Journal) 6, no. 6 (1997): 603-616.
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