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Mendelowitz, Eitan. The Emergence Engine: A Behavior Based Agent Development Environment for Artists In Proceedings of the Twelfth Conference on Innovative Applications of Artificial Intelligence (IAAI), edited by Los Angeles University of

Kluszczynski, Ryszard W.. The Art of Installation Art Inqiry II (2000): 53-73.

Strauss, Wolfgang and Monika Fleischmann. CAT - Communication, Art and Technology In Global@home: Informations- und Dienstleistungsstrukturen der Zukunft, edited by Herbert KubicekJahrbuch Telekommunikaton und Gesellschaft, Heidelberg: Hüthig

Diebner, Hans and Timothy Truckerey and Peter Weibel, ed. Sciences of the Interface: Proceedings of the International Symposium, ZKM_Karlsruhe, May 18 - 21, 2000. Tübingen: Genista Verlag, 2001.

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.

Davies, Char. Landscape, Earth, Body, Being, World, and Time in the Immersive Virtual Environments Osmose and Ephémère In Emergent Futures: Art, Interactivity and New Media, edited by Angela Molina and Kepa Landa, 47-58. : Institució Alfonse el

Julian Oliver. Polygon Destinies: The Production of Place in the Digital Role-Playing Game In COSIGN 2001 Conference Proceedings, Melbourne Victoria, Australia: Julian Holland Oliver Interactive Information Institute RMIT University,, 2000.

Faina Balakhovskaya and Antonio Geusa and Luk Lambrecht. Александра Дементьева. Работы 2000 - 2007. / Alexandra Dementieva. Works 2000 - 2007. Catalogue. Moscow, Russia: XL gallery, 2008.

Weibel, Peter. Lebenssehnsucht und Sucht. Berlin: Merve, 2000.

Steinback, Charles and Stephen Marguiles and David Hunt. Warren Neidich: Camp O.J.. Charlottesville, Virginia: Distributed Art Publishing, Inc. and Bayly Art Museum, 2000.