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  • Narcissus' Well: Pepsi Pavilion
    Narcissus' Well was originally inspired by the seminal Pepsi Pavilion, which was created by E.A.T. (Experiments in Art & Technology) for Expo ’70 in Osaka, Japan. In the Pepsi Pavilion, a 90-foot diameter spherical mirror engaged viewers in the
  • SoleNoid
    Composed of glossy white wooden discs and sculptural structures which hold mechanical manipulators that pierce classic black and white tap shoes with ornamental brogue patterns. Each structure holds a shoe inches in the air above a small circular
  • The Diamond Lake Apocalypse. Pathway
    11. Diamond Lake Apocalypse, Pathway, 1993 22" by 30" Pen plotted drawing. 12. Diamond Lake Apocalypse, Burning Bush, 2000 23" by 29" Pen plotted drawing. 13. Diamond Lake Apocalypse, Canon I, 1999 23" by 29" Pen plotted drawing.
  • WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect
    Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.
  • Taking Ontario Mobile
    Diamond Sara. Taking Ontario Mobile. Toronto, Ontario Canada: OCAD University, 2012.
  • Public Art Diana Domingues Interview
    DOMINGUES, DIANA MARIA G. Public Art Diana Domingues Interview In Parallel Processing - Public Art - New Media Art, edited by Sara Diamond and Brad Buckley and John ConomosVol.1. , 41-65. Toronto: Willey Online Libary, 2020.
  • Diana Domingues: Urban Art
    DOMINGUES, DIANA MARIA G and S DIAMOND. Diana Domingues: Urban Art In Parallel processing: public art and new media art, edited by Bradford Buckley and John ConomosVol.1. , 1-10. Hoboken: John Wiley & Sons Inc., 2019.
  • Migrations -
    A web of relationships through the displacement of the visitor's body in the room space, apprehending the moving figures of the tapes embedded in the columns and the frozen figures of frames from the video "migrações", which are gradually enlarged
  • Reframing the Cathedral: Opening the Sources of Technology and Cultural Assumptions
    Diamond Sara and Marilouise Kroker. Reframing the Cathedral: Opening the Sources of Technology and Cultural Assumptions In Critical Digital Studies: A Reader, edited by Arthur Kroker, 15. Canada: 2008.
  • Cagebim video
    CAGEBIM is an installation where the visitor interacts. The visitor enters in the room and can read a John Cage's affirmation: " I am always interested in listening to. I am always less interested on the fixed relation between the parts. I am
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