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  • Anamorph-Lattice
    Anamorph-Lattice, 6 black-white family snapshots repeated 30 times are organized by the Voronoi mathematical model so that the images disrupt the frontal perspective viewing, creating altered perspectives reminiscent of 16th and 17th century
  • transmediale.10: futurity now!
    Much of 20th century society strove to depict 2010 as a shining example of a future framed by technological progress and social harmony. But as 2010 arrived it was clear that global society was neither the utopia nor the dystopia traditionally
  • European Media Art Festival 2010: Mash Up
    The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
  • Tate Modern
  • Machiko Kusahara
    Machiko Kusahara is a scholar in media art, digital media culture and media history. She is a professor at Waseda University, Tokyo, and holds a Ph. D. in Engineering from University of Tokyo for her theoretical study on interplay between media
  • Latin American Art of the 20th Century
    Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
  • Latin American Art of the 20th Century
    Edward Lucie-Smith, ed. Latin American Art of the 20th Century. New York: Thames & Hudson, 2004.
  • THE WHEEL PROJECT. The George R. Gardiner Museum for Ceramic Art
    Beesley, Philip. THE WHEEL PROJECT. The George R. Gardiner Museum for Ceramic Art. Toronto: Thistle Printing, 2002.
  • Oliver Grau
    20 years Chair Professorships for Image Science. More than 350 lectures and keynotes worldwide, including Olympic Games culture program and G-20 Summit. Grau's “Virtual Art. From Illusion to Immersion”, MIT Press 2003 (Book of the Month, Scientific
  • Nothing of him that doth fade ... -
    3D Ceramic Print Sculpture + Mixed Reality AR installation (with /p), 2019 Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes; Nothing of him that doth fade, But doth suffer a sea-change Into something
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