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Die Wiederkehr der Sinne in der "Netzwerk-Kunst"
1993
De Kerckhove, Derrick. Die Wiederkehr der Sinne in der "Netzwerk-Kunst" In Interaktiv. Im Labyrinth der Wirklichkeiten. Über Multimedia, Kindheit und Bildung. Über reale und virtuelle Interaktion und Welten, edited by Wolfgang Zacharias, 71-81.
“Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft
2007
Grau, Oliver. “Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft In Wie sich Gefühle Ausdruck verschaffen, edited by Klaus Herding and Antje
Zentrum für Bildwissenschaften
Memory Theatre VR
1997
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1997
video
Memory Theater VR is an example of a virtual museum that embodies original architectural, interface and visualization strategies that converge the experience of real and virtual formations. The installation itself is set inside a cylindrical space,
Hybrid Invention Generator
2001
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2001
The Hybrid Invention Generator (2001) is a work that explores a "machinic genetics." Users of the system can scroll through a series of inventions, choose two different inventions and generate the visualization of a hybrid invention. An underlying
Red Dice/Des Chiffres
2000
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2000
video
Red Dice / Des Chiffré (2000) was commissioned by the Canadian National Gallery and is now in their permanent collection. Seaman again worked with Chris Ziegler on the programming of the work. The work presents a text by the Poet Stéphane Mallarmé -
The Engine of Desire
1996
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1996
The Engine of DesireArtist: Bill SeamanComment:
Phantasmagorischer Bildzauber des 18. Jahrhunderts und sein Nachleben in der Medienkunst
2006
Grau, Oliver and Ernst Strouhal. Phantasmagorischer Bildzauber des 18. Jahrhunderts und sein Nachleben in der Medienkunst In Rare Künste: Zur Kultur- und Mediengeschichte der Zauberkunst, edited by Brigitte Felderer, 461 - 480. Wien: Springer
Abstract Machine - Erotic
1994
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1994
Abstraction Machine / Erotic - The Voyeur of Light (1994) was a site specific installation in a hotel room, Room 33 Gallery, Regent's Court Hotel, Sydney, Australia. The security viewer was inverted so that visitors could view into the room. A
The Design of the Grip
1989
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1989
video
The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He
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