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Trucold
2002
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2002
TRUCOLD is a video work shot at night on the streets of London and - during a heavy fog - in Karlsruhe in Germany. The work comes out of Blast Theory's interest in physical displacement, amnesia and time travel and ties directly into other
White Cube 0-10 Alpha in NYC
2016
Waterfall Mansion and Gallery is proud to present an exhibition on women’s empowerment, “The Need For My Care”, inspired by Maya Angelou’s “Phenomenal Woman”. In honour of International Woman’s Day, we give laud to the strengths, mystery, beauty,
New Screen Media
2002
Legrady, George. New Screen Media In The Dynamics of Real and Virtual Space Audience Dialogue, edited by Martin Rieser and Andrea ZappKarlsruhe, London: ZKM and BFI London, 2002.
On the Notion of Art as a Visual Dialogue
1992
Kac, Eduardo. On the Notion of Art as a Visual Dialogue In Art-Reseaux, edited by Karen O´Rourke, 20-23. Paris: Université de Paris I, Panthéon-Sorbonne, 1992.
Building the Emerald City
2004
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2004
The original story of the Wizard of Oz by L. Frank Baum was published in 1900 and was already widely read by the time of the release of the 1937 film of the same name. For most people, the film provides the dominant imagery of the story, and it is
Nalini Malani
Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing
Eduardo Kac -- The Aesthetics of Dialogue
1994
Osthoff, Simone and Eduardo Kac. Eduardo Kac -- The Aesthetics of Dialogue .
Portraits of Dialogue: The Condition of Sociability in the Interactive Portraiture of Luc Courchesne
2004
Gagnon, Jean. Portraits of Dialogue: The Condition of Sociability in the Interactive Portraiture of Luc Courchesne HorizonZero 11 (2004).
Sur la notion d`art en tant que dialogue visuel
1992
Kac, Eduardo. Sur la notion d`art en tant que dialogue visuel In Art-Reseaux, edited by Karen O'Rourke, 20-23. Paris: Centres d`Etudes et de Recherches en Arts Plastique, Université de Paris I, Panthéon-Sorbonne, 1992.
Randall Packer
Since the 1980s, multimedia artist, composer, writer and educator Randall Packer has worked at the intersection of interactive media, live performance, and networked art. He has received critical acclaim for his socially and politically infused
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