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Biennial Symposium for Arts and Technologies, Ammermann Center
ZERO 1 Biennnial 2012 2012

Event: ZERO 1 Biennnial 2012Institution: ZERO1 Biennial, San JoseComment:
Group Exhibition of Foresta-Inclusive in CAFKA Biennial 2021 - 2021

Event: Group Exhibition of Foresta-Inclusive in CAFKA BiennialInstitution: CAFKAComment:
Experimenta Utopia Now - International Biennial of Media Arts - Melbourne (Australia) 2010

Event: Experimenta Utopia Now - International Biennial of Media Arts - Melbourne (Australia)Institution: Ars Electronica Linz GmbH & Co KGComment:
Featured Artwork "Outside in: Exile at home" by Annabel Castro (2018 – 2021) 09/2024

"Outside-in: exile at home" (2018 - 2021) is an installation by digital artist Annabel Castro. In the installation, using a machine learning algorithm, four classic fiction films are continuously torn apart inside a screening room.
Eén grote familie 2015 - 2015

Event: Eén grote familieInstitution: Alden Biesen CastleComment:
Vid-A-Feeba 1999 - 1999

Vid-A-Feeba is a play with a chaotic process applied to the generation of artistic images and sounds. The images follow the iterated evolution typical of chaotic systems showing quick change in the visual patterns depending on the bifurcation
Cagebim 1995 video

CAGEBIM is an installation where the visitor interacts. The visitor enters in the room and can read a John Cage's affirmation: " I am always interested in listening to. I am always less interested on the fixed relation between the parts. I am
The Way 1994 video

"The Way" is a 3-D computer animation combined with live video. Depicted are three runners followed by a camera down a foggy street in a small German village. To visualize "The Way", I've inverted the common system of the central perspective.
Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials 2014

Thiel, Tamiko. Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 31-60. Cham:

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