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Glitch Traces
2013
-
2014
Images collaged from screengrabs taken during the development of the 'Crosstalk' project in 2013-14. Source: Simon Biggs
Culture, Technology and Creativity
1991
Biggs, Simon. Culture, Technology and Creativity http://littlepig.org.uk/texts/culturetechnologycreativity.htm.
Distributed Authorship and Creative Communities
2012
Biggs, Simon and Penny Travlou. Distributed Authorship and Creative Communities Dichtung Digital (online) 41 (2012).
Second Life: how may it augment our first (learning) life? A review of the current and potential use of Second Life in creative arts education.
2009
Biggs, Simon. Second Life: how may it augment our first (learning) life? A review of the current and potential use of Second Life in creative arts education. (2009).
Multimedia, Multiculturalism, Language and the Avantgarde
2007
Biggs, Simon. Multimedia, Multiculturalism, Language and the Avantgarde http://littlepig.org.uk/texts/epoetry.htm[12.04.2015.
Autopoeisis: Novelty, Meaning and Valve
2004
Biggs, Simon and James Leach. Autopoeisis: Novelty, Meaning and Valve. London: Artwords Press, 2004.
The Archive of Digital Art Features Simon Biggs
2016
Newsletter, ADA. The Archive of Digital Art Features Simon Biggs 21.04.2016.
The Routledge Companion to Research in the Arts
2011
Biggs, Michael and Henrik Karlsson, ed. The Routledge Companion to Research in the Arts. The Routledge Companions, 2011 th ed.London, UK: Routledge, 2011.
Computer Graphics 1984
1984
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1984
Computer generated large scale ink plots Indian Ink on Fabiano 300 gsm paper These works were produced using a large scale Interact IV flat bed plotter. A set of abstract images, each measuring 200 x 200 cms. The works were produced by
Simon Biggs and Talibor Martinis
1993
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1993
Computerinstallation, Videoprojection and Environment from Simon Biggs (GB) & Dalibor Martinis (Kroatien)
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